'John'. Just 'John.' (
prodigalflame) wrote in
londoncallingrpg2016-09-17 04:14 pm
![[personal profile]](https://www.dreamwidth.org/img/silk/identity/user.png)
![[community profile]](https://www.dreamwidth.org/img/silk/identity/community.png)
Gathering Post - Singles' Night (These Are The Times)
The Tavern, as it was called, brought to mind images of faded Tudor quaintness: of whitewashed exterior, black beams, windows barred with cast iron, mulled mead and a fireplace in every room.
In truth, the pub was anything but. Located in one of the gentrifying suburbs, it was a modern bulwark of concrete, iron and glass. The first two stories were the pub proper, and the next ten were apartments. The owners had called it 'The Tavern' in a display of hipster pride, as if it was the only pub that mattered. Snaking through the two levels were a series of pipes, as small-scale brewing took place on site.
It was usually a lively sort of pub, populated mostly by the fussy, the well-off, the well-educated and those that aspired to be, although situated near a tube station meant it also got a lot of randoms peering in to grab a pint. The alcohol menu was diverse, the food menu was dominated by various pulled meats and a cheese board (if anyone cared) and there were probably far too many male graduate students with neckbeards who nodded enthusiastically at each other as they discussed Kant.
Still, on Saturday night it was even more bustling than usual. People stood on the stairs, beers in hand, and chatted. Every seat was taken. The wait staff had their hands full (literally), and moved with ease and grace through the throng to deliver food to tables, and collect numbers and plates.
Tonight there would be music. Tonight there would be bands. Tonight was Singles' Night, a guarantee of no sappy love songs, no heart break, no angst. Two local bands were playing: first there would be a set from The Flamethrowers, with a mix of classic rock and pop standards, and then after a break, there would be an electro-synth duo to allow for dancing well past midnight.
So at about 9pm, patrons were treated to the sight of the first band tuning up. There wasn't really a performance space, so much as a corner on the ground floor of the pub that was currently unoccupied by tables. It was a four-piece band: some shaggy-haired cross between hobo and hipster on rhythm guitar and vocals, a slightly older british caribbean guy in glasses with goatee on double bass, a short-haired woman in her mid-20s on percussion and vocals and a tendency to beat the ever-living fuck out of the drum set, and another woman, more long-haired and willowy, on keyboards and vocals. Mr Hobo-Hipster of the shaggy hair and blond tips sang lead most of the time, but he gave it up for each of the women through their eleven song set, and there were duets. The keyboard was set to produce a more honky-tonk piano sound, and combined with the double bass, most of the covers had a dirty feel to them, all loose chords and guitar slaps. Clearly they'd played together for long enough to have a good feel for each other, which just added to the looseness, the occasional digression or ad hoc solo.
And Mr Hobo-Hipster didn't so much as introduce the band members as say "Hey. We're the Flamethrowers" and then let his guitar speak for itself as they launched into a funked-up version of Money. His voice was a little rough, almost a growl, and his stage presence was contained but not muted. Even without posturing, John made it very clear that he was the driving force behind the band: he didn't preen or strut, he didn't need to, and only the hint of a smirk could be seen around his eyes. There was no grinning, not now: now he was controlled and contained and came off a little bit contemptuous of having to perform. He sang, sure, and he played, and played pretty well, but his focus were the frets of his guitar, the lyrics of the songs. That night, he was sleek and dangerous and full of pride. That night, he had no reasons to smile or grin or show how happy he was: he'd lost those along the way. He was pared back to his disdainful core. Overall, the band was good but not great, and with John being Intense, the performance probably came off somewhere between 'bluesy rock band' and 'satanic death cult'.
Grooving through the set-list for roughly 45 minutes, the Flamethrowers played a series of stripped-back, funked-up covers. Rock the Casbah. a slowed-down take on Time after Time. Versions of Dangerous and Sweet Dreams (are made of this) that were dominated by the keyboards and a sparse double bass. Everybody Wants to Rule the World. John's wry grin came out for a guitar driven, lazy run on Carole King's "It's Too Late", before he paused to finally introduce the band, have some water, and explain that the point was to avoid the melancholic and romantic: to not make anyone feel bad for being single.
Four more songs, and they then closed with Mama Told Me Not To Come, having meandered their way past some INXS, Living End and Lynyrd Skynyrd.
In the end, John thanked the band (again), thanked everyone for showing up, and hoped they passed the audition. As a nicety, he promised there would now be some 'music you can dance to' after a little break, and then disappeared to pack up his guitar and amp and find himself a drink and a quiet corner.
The night went on without him, and that was just fine.
[OOC: Saturday night at an upmarket pub and destination of note. Feel free to show up before, during or after the band. Complain about the noise, the locally brewed artisan beer, the hipster food, the even more hipster band, or just dance the night away.]
In truth, the pub was anything but. Located in one of the gentrifying suburbs, it was a modern bulwark of concrete, iron and glass. The first two stories were the pub proper, and the next ten were apartments. The owners had called it 'The Tavern' in a display of hipster pride, as if it was the only pub that mattered. Snaking through the two levels were a series of pipes, as small-scale brewing took place on site.
It was usually a lively sort of pub, populated mostly by the fussy, the well-off, the well-educated and those that aspired to be, although situated near a tube station meant it also got a lot of randoms peering in to grab a pint. The alcohol menu was diverse, the food menu was dominated by various pulled meats and a cheese board (if anyone cared) and there were probably far too many male graduate students with neckbeards who nodded enthusiastically at each other as they discussed Kant.
Still, on Saturday night it was even more bustling than usual. People stood on the stairs, beers in hand, and chatted. Every seat was taken. The wait staff had their hands full (literally), and moved with ease and grace through the throng to deliver food to tables, and collect numbers and plates.
Tonight there would be music. Tonight there would be bands. Tonight was Singles' Night, a guarantee of no sappy love songs, no heart break, no angst. Two local bands were playing: first there would be a set from The Flamethrowers, with a mix of classic rock and pop standards, and then after a break, there would be an electro-synth duo to allow for dancing well past midnight.
So at about 9pm, patrons were treated to the sight of the first band tuning up. There wasn't really a performance space, so much as a corner on the ground floor of the pub that was currently unoccupied by tables. It was a four-piece band: some shaggy-haired cross between hobo and hipster on rhythm guitar and vocals, a slightly older british caribbean guy in glasses with goatee on double bass, a short-haired woman in her mid-20s on percussion and vocals and a tendency to beat the ever-living fuck out of the drum set, and another woman, more long-haired and willowy, on keyboards and vocals. Mr Hobo-Hipster of the shaggy hair and blond tips sang lead most of the time, but he gave it up for each of the women through their eleven song set, and there were duets. The keyboard was set to produce a more honky-tonk piano sound, and combined with the double bass, most of the covers had a dirty feel to them, all loose chords and guitar slaps. Clearly they'd played together for long enough to have a good feel for each other, which just added to the looseness, the occasional digression or ad hoc solo.
And Mr Hobo-Hipster didn't so much as introduce the band members as say "Hey. We're the Flamethrowers" and then let his guitar speak for itself as they launched into a funked-up version of Money. His voice was a little rough, almost a growl, and his stage presence was contained but not muted. Even without posturing, John made it very clear that he was the driving force behind the band: he didn't preen or strut, he didn't need to, and only the hint of a smirk could be seen around his eyes. There was no grinning, not now: now he was controlled and contained and came off a little bit contemptuous of having to perform. He sang, sure, and he played, and played pretty well, but his focus were the frets of his guitar, the lyrics of the songs. That night, he was sleek and dangerous and full of pride. That night, he had no reasons to smile or grin or show how happy he was: he'd lost those along the way. He was pared back to his disdainful core. Overall, the band was good but not great, and with John being Intense, the performance probably came off somewhere between 'bluesy rock band' and 'satanic death cult'.
Grooving through the set-list for roughly 45 minutes, the Flamethrowers played a series of stripped-back, funked-up covers. Rock the Casbah. a slowed-down take on Time after Time. Versions of Dangerous and Sweet Dreams (are made of this) that were dominated by the keyboards and a sparse double bass. Everybody Wants to Rule the World. John's wry grin came out for a guitar driven, lazy run on Carole King's "It's Too Late", before he paused to finally introduce the band, have some water, and explain that the point was to avoid the melancholic and romantic: to not make anyone feel bad for being single.
Four more songs, and they then closed with Mama Told Me Not To Come, having meandered their way past some INXS, Living End and Lynyrd Skynyrd.
In the end, John thanked the band (again), thanked everyone for showing up, and hoped they passed the audition. As a nicety, he promised there would now be some 'music you can dance to' after a little break, and then disappeared to pack up his guitar and amp and find himself a drink and a quiet corner.
The night went on without him, and that was just fine.
[OOC: Saturday night at an upmarket pub and destination of note. Feel free to show up before, during or after the band. Complain about the noise, the locally brewed artisan beer, the hipster food, the even more hipster band, or just dance the night away.]
no subject
And it was ten more minutes before she had a small group around her, sycophants all, drawn to her power and her spirit. Pippa was used to being the center of attention, she always had been. She'd always had a small army of those who loved her, or thought they did. Hangers on who wanted nothing more than to please her and bask in her smile.
She grew tired of that group after not long and had excused herself to go listen to the band. More drinks found her and she gave out smiles and a bit of her time to those who brought them to her. But in the end they all forgot her as soon as she moved on.
After dancing a bit, Pippa stepped outside to have a smoke. She was a little drunk and always had a fag or two when she was pissed. The night air was cool and she felt good. And because she felt good her power radiated off of her, warming everyone around her and making them happy and loose.
Coming tonight was exactly the sort of thing she'd been needing.
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
no subject
But he wasn't the sort. And so John sat, tucked away in the corner, nursing his neat scotch slowly, and just observed the people with their lives and their loves and their friends like it wasn't some big pile of crap. His arms were crossed on the table in front of him when he wasn't taking a sip, shoulders hunched, and he knew he looked like a worn out, defensive grumpy bastard. He didn't glare though - he didn't care enough for that - and exchanged civil greetings with anyone who came up to talk about the band, before fobbing them off with a sort-of-half-smile-half-shrug and gestured to his glass.
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
...
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
no subject
She hadn't altered her style for the change in venue, either, wearing a cute boho black dress with bell sleeves, silver peep-toe boots, and plenty of jewelry. Between the performance and the electronic portion of the evening, she strolled through the bar, looking for friends or potential friends to bless with her conversational presence.
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
OTA
Once their set was over, she made a beeline for him, which Akeem supposed was partly because of the proximity to the bartenders. They chatted while she ordered a drink, and insisted on paying him one. "Just a glass," he relented, but she got him a pint anyway, telling him glasses were not how you were supposed to drink beer.
It wasn't long before her attention was claimed by friends of hers, however, and Akeem wandered outside with his pint, setting it on an empty table as he pulled out his pack of cigarettes to light up.
Re: OTA
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
OTA
She was by the bar, waiting for her drink, when the set ended and the singer promised the crowd 'music you can dance to' in a bit. She grimaced at the sound of that. "I'm not sure I want to know what people dance to here," she muttered, mostly to herself, but loud enough for anyone to catch.
Of course, the bartender was now setting a pint in front of her, so it sounded like she was going to find out.
Re: OTA
Re: OTA
Re: OTA
(no subject)
(no subject)
(no subject)
no subject
In between songs, he turned to the person beside him to ask, curiously, "What genre would you say this is?"
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
no subject
But that was okay, because it reminded her a bit of the barn dance at home--though it was certainly much more structured than that--and because a little Tufa charm meant she didn't have to pay for any of her drinks. It wasn't anything overt, just a dazzling smile here, a little gesture of the hand there and someone would insist on getting that for the little lady. Some of the people in here looked at her like she was a squirrel that had gotten into the engine, but she didn't pay them any mind. Music was being played here, and given it didn't suck, she was going to stay. It wasn't what she'd consider her kind of music usually, but there was heart in the performance and that spoke to her blood in a way that mere genre could not.
When the real music stopped and the sad excuse for dancing began, Curnen retreated to the sidelines. All the same, she greeted everyone who so much as glanced her way for more than an accidental eye movement reason. "Well, hey there stranger."
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
no subject
She wasn't particularly into anything being played by the first band, but it made for good dancing whenever she could talk someone into doing ballroom with her (where she was usually the guy, because why did no one know how to do this).
It was when the electro-synth stuff started that she really got into it, flowing and fierce and tireless.
Well. Okay, that last was an illusion. Every so often she did have to leave the dancing to sit down and have a drink, but even then she looked more glowing and happy than tired.
(no subject)
no subject
Of course, it was in his very nature to flirt, even if he'd sworn to himself and to Remus that he wasn't there to pull, and as he stood at the bar waiting for his pint, he turned a charming smile on the person next to him. "Hullo, gorgeous."
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)